Trey Anastasio's Shine: Cuts Like a Knife, or Feels So Right?
Will the jam-rocker's bid for mainstream fame fall flat?
For all the experimentation of his former band Phish, maybe Trey Anastasio just wanted to be a rock star all along.
With the release last week of Anastasio's Shine, the former hippie-idol seems to be angling himself for more mainstream rock acceptance than many thought he would ever be interested in.
First, take the album itself. "Shine" drops the least jammy, most straight-ahead, conventional pop-rock record of the artist's career. Several of the tracks sound like possible radio hit singles. In fact the collection could sit comfortably next to fellow jam band-grad DMB's Stand Up on the record store shelf. (Though that disc royally blows, we mean that not as a criticism, but simply to illustrate his move away from the 7 minute jam, to the 4 minute single.)
Second, the album cover (above left), with Anastasio casting his axe skyward in a sort of rock celebration, says a great deal. Honestly, it's a cover more likely seen on, say, a Bryan Adams disc (above right) than his prog/art-rock work with Oysterhead.
Finally, between now and the New Year we will see Anastasio pimping Shine no less than four times on network television, covering all of the late-night talk shows, save Jimmy Kimmell.
OK, we've been a bit harsh. This may all come off as criticism, but that's not our entire intention. We actually are enjoying this disc here at SS, and are certaintly happy to see a musician as talented and deserving a musician as Anastasio possibly getting some notoriety in the mainstream. But of course, not by virtue of dumbing it all down. When all is said and done, will Shine be looked back on as nothing more than his Waking Up the Neighbors?
If you've heard the disc, let us know what you think.